A garment constructed layer upon layer like an oyster shell, a geometrically perfect face, a room divider inspired by body builders’ intentions to build muscles and grow their bodies, or a sofa inspired by a rave party in the woods.
In the course module “Architectural Design Process and Prototypes”, second-year students of the architecture program at Lund University were given an assignment to interpret the subculture of their choice and then use that interpretation to create a piece of furniture and a garment. Or a hybrid of both. The architectural profession is constantly trying out new approaches based on every project’s particular conditions. Working across boundaries and disciplines can generate new, unexpected results. Working with limitations can sometimes lead to more creativity than working freely without restrictions.
Developing a project from a sketch to a finished prototype on a manageable scale gives new ways of looking at things – given that architecture students seldom get the opportunity to realise a project on a 1:1 scale. Even working with materials and techniques that are not normally used in the architectural profession stimulates innovative thinking. The students are encouraged to depart from the norms and conventions of their own profession and to study the world around them with open eyes, and to use other people’s points of view to challenge themselves!
When planning and designing urban centres, it is self-evident that humans should be the central focus, and in this year’s course, this fact is meant to be interpreted literally. Studying subcultures in different environments touches on fields like sociology and anthropology. For example, insight is gained into how fashion arises, is manifested, and is disseminated. The styles, characters and graphic expressions of urban subcultures offer what is essentially an endless source of inspiration for the design process: lines, figures, graphical characters, forms, objects, environments and messages.
The aim of the course is that the students should learn to dare to test, question, explore, challenge and consider. To increase their understanding of materials, construction design and architectural experience: the materials’ inherent qualities and possibilities, the interplay between tools, techniques and materials. And to acquire greater knowledge about creative processes, gain insight into other disciplines’ approaches and methods, and to increase their understanding of cooperation and collaboration.
Alsace – Albin Frantzich, Frej Östbrink
Vectroid Apparition – Samuel Grandin Karlsson, David Hörnblad
Waste – Olivia Kornfält, Lukas Hammarskiöld
Tunnan – Sara Mohtadi, Julia Johansson
Stitches – André Lundin, Fabian Koppers
Skogsrave – Johanna von Rosen, Hannes Gärdenfors
L.A.B-1 – Daniel Olsson, Lukas Blivik
Knoparting – Eira Hultman, Cecilia Falkman
Hjärterum – Elsa Johannesson, Sofia Peinert
Geisha – Julia Mattson, Ida Wengholt
Gainer - Olivia Nilsson, Felicia Zachrisson
Club Kids – Ana Gilmet, Nora Lindberg
Ama – Emma Rundbäck Martinsson, Maria Oscarsson